Can you call malware art? That’s the question up for debate this week as Chinese Internet artist Guo O Dong puts a laptop hosting a collection of viruses up for auction. Well-heeled patrons certainly seem to think it’s art – bidding had reached a cool $1.2m at the time of writing.
Dong has infected a 2008 Samsung netbook running Windows XP3 with six of the nastiest, most disruptive viruses ever created. You’d think that for $1.2m he could have at least thrown in a desktop computer with a decent GPU.
Some might call it the Netbook of Doom, but he calls the project The Persistence of Chaos. Okey dokey.
If he wanted to highlight viruses that made a splash, he’s certainly got some keepers on his list. He chose these:
- ILOVEYOU. Also known as The Love Bug, it was released in 2000 and spread via an email with a VBScript (VBS) file, this infected at least 45 million people.
- Sobig. Released in 2003 and distributed by email, this was both a worm and a trojan. At one point, one in every 17 emails was said to be carrying this malware.
- MyDoom. This 2004 worm broke SoBig’s record. It enabled the perpetrators to take over the victim’s computer. They used it in a DDoS attack against SCO.
- BlackEnergy. First released in 2007, this malware has evolved for years and researchers suspected that it was a weapon in attacks on Ukraine’s electricity grid.
- Dark Tequila. Released in 2013, this virus has reportedly been an attack vector against banking customers in Latin America.
- WannaCry. Unleashed in 2017, this was the granddaddy of all ransomware attacks. It infected more than 200,000 computers across at least 150 countries.
So, is it art? Absolutely not, according to Naked Security’s very own malware guru Paul Ducklin:
If you want your very own ‘cursed laptop’ for a lot less than $1m, just connect an unpatched, unprotected device to the internet and wait a while… Actually, don’t do that. That wouldn’t be art or science either – you’d simply be putting others at needless risk during your ’experiment’.
Ducklin also wonders…
Will any of the malware authors whose intellectual property has been appropriated for this artwork come forward to ask for their cut of the money? Perhaps they might even consider travelling to somewhere like the US to file a lawsuit – how good would that be!
We’ve seen other, perhaps more innovative approaches to mixing viruses and art in the past. Back in 2008, Romanian digital artist Alex Dragulescu created Malwarez, a collection of images created by analysing system calls and memory references in popular malware strains.